Tagged: Richard Wagner

KPAC Blog: Metropolitan Opera
2:42 pm
Fri April 19, 2013

Richard Wagner's "Siegfried," The World's Last Hope

Credit Ken Howard / Metropolitan Opera
Jay Hunter Morris as Siegfried.

In "Siegfried" we return to the origins of Wagner's conception of "The Ring." Before there was an explanation and an event, a plot before a back story.

These various sketches, fragments and early drafts were separated by a quarter of century from the opera's first performance (1851-1876).

We recreate the fairytale atmosphere of "Das Rheingold" with a dwarf, a dragon, giants, a singing bird and a boy so innocent he has "never" seen a girl.

Read more
Classical Spotlight
12:19 pm
Mon March 4, 2013

Dragons & Gods, Fire & Blood Fill San Antonio Symphony Program

Music by Richard Wagner and Michael Daugherty on tap this weekend

Throughout 2013, musicians will be playing Richard Wagner in honor of his 200th birthday this May. The San Antonio Symphony will offer wonderful selections of Wagner's grand opus, "Der Ring des Nibelungen."

"Highlights would not be enough, because we are going through the journey of the ring!" said Conductor Sebastian Lang-Lessing.

Read more
KPAC Blog: Metropolitan Opera
10:17 am
Thu February 28, 2013

Richard Wagner’s Apotheosis, 'Parsifal'

Credit Metropolitan Opera
Jonas Kaufman stars in the title role of Wagner's 'Parsifal'

Richard Wagner’s "Parsifal," his final opera, was created in parallel with his greatest creations including "The Ring" and "Tristan." It took him just over 30 years and several revisions before it was finally presented in 1882.

It is viewed as his most refined and elaborate work and it at times leaves people feeling that it is too profound to even applaud. In a comic twist, this bothered the composer; when Wagner would applaud a certain scene he would be hushed by members of the audience.

Read more
KPAC blog: Saturday Afternoon At The Opera
11:48 am
Thu November 15, 2012

One Of The Greatest Operas Ever Written: Wagner’s 'Parsifal'

Richard Wagner’s Parsifal, his final opera, was created in parallel with his greatest creations including The Ring and Tristan. Beginning in the 1850’s, its prose and poetry was returned to over and over again in first and second drafts, and was finally orchestrated and presented in 1882; it occupied over a quarter century in Wagner’s creative life. The work was scored with the acoustics of the newly built Bayreuth in mind and has one of the oddest operatic history’s imaginable.

Read more