This month, TPR presents a three-week series of broadcasts drawn from the San Antonio Chamber Music Society’s 2013-2014 series. The one-hour programs will be broadcast on Saturday nights at 7:00 on KPAC 88.3 FM and KTXI 90.1 FM.
Sunday afternoon marks the season finale of the San Antonio Chamber Music Society for 2012-13. The concert at Temple Beth-El features the hottest French group in chamber music, Quatour Ebene. They have been heralded by critics far and wide as the gold standard in music making.
Cellist Raphael Merlin took some time before the quartet left Paris to talk with TPR's John Clare about touring, their new Mendelssohn album, and switching violinists. Hear the interview in the audio player above.
The San Antonio Chamber Music Society is celebrating its 70th anniversary this year and what a great reminder of what chamber music is all about than when husband and wife duo David Finckel (cello) and Wu Han (piano) performed at Temple Bethel last Sunday.
They were recently named "Musicians of the Year" by Musical America in 2012. Some concerts you know are going to be great just by walking in the hall, and this was one of them.
They are a staple on air, and perhaps in your record collection. My first SACMS concert brought the Emerson Quartet here in San Antonio, and I was invited to have dinner with them. We had just met up in Harrisburg where I had left that spring, and they had played.
Now, cellist David Finckel has left the quartet and is writing about it. Do you have a great Emerson story or musical memory?
Having announced that I would be vacating my chair as cellist of the Emerson String Quartet I had sailed through the rest of the densely-packed 2011-12 winter season, putting off for a future date the heavy thinking that I knew would come into play as my final year of concerts approached.
James Dick has a good relationship with the Chamber Orchestra Kremlin and conductor Mischa Rachlevsky; in fact they have performed together previously in Texas, as well as in Moscow.
"They're the finest players in Russia, either in the conservatory or playing professionally," says soloist James Dick. "It is a pleasure to work with them. I can also guarantee you haven't heard Beethoven like this before, a new orchestration that has written the wind parts out for the strings and piano. It is breathtaking!"