Cinema Tuesdays

“I sincerely believe that to see good films, and to see important films, is one of the most profoundly civilizing experiences that we can have as people.” -- Roger Ebert

The 2015 Cinema Tuesdays series is underway at the Santikos Bijou, located in the Wonderland of the Americas (4522 Fredericksburg Rd.), on Tuesday nights. Showtime is 7:30 each week.  The box office opens one hour before show time. Some screenings can sell out. Please arrive early to ensure optimal seating choice.

 Suggested donations of $10 for members and $15 for non-members will get you in for these one-time only showings!  To reserve seats for an individual show, follow the links on the schedule below. You can also call 614-8977, or 1-800-622-8977, during regular business hours, to make advance reservations.  All proceeds from the Cinema Tuesdays series benefit Texas Public Radio. Advance reservations close at noon the day of the show, so don't wait!


By the way, don’t forget to sign up for the Cinema Tuesdays newsletter to find out more about the season and other movie-related news, and follow the TPRCinema Twitter feed and TPR Cinema Tuesdays Facebook page to stay on top of cool movie news on a daily basis.

Thanks to our series sponsors, Americus DiamondStevens LightingTasco Air ConditioningMacTLC: Apple Specialists, and ITSC IT Managed Service!



July 7: Oscar Shorts


How many times have you sat there watching the Academy Awards broadcast on television, and when the Short Film categories come up, you're left scratching your head, either trying to guess which one will win based on its title alone, or wishing you could actually see some of these films, somewhere?  Well, tonight is your night, as we bring back the popular Academy Award Shorts program.

This year, all ten of the nominated short films are included on the program, including "Feast," the 2014 Best Animated Short Film winner, and "The Phone Call," the 2015 Best Live Action Short Film winner. Come and enjoy films from around the world all in one night!

Make a reservation: OSCAR SHORTS


July 14: The Treasure of the Sierra Madre


John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion.

"The Treasure of the Sierra Madre" is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars. 126 minutes, Not Rated.



July 21: Foreign Correspondent


In 1940, Alfred Hitchcock made his official transition from the British film industry to Hollywood. And it was quite a year: his first two American movies, "Rebecca" and "Foreign Correspondent," were both nominated for the Best Picture Oscar. Though "Rebecca" prevailed, "Foreign Correspondent" is the more quintessential Hitch film. A full-throttle espionage thriller, starring Joel McCrea as a green Yank reporter sent to Europe to get the scoop on the imminent war, it’s wall-to-wall witty repartee, head-spinning plot twists, and brilliantly mounted suspense set pieces, including an ocean plane crash climax with astonishing special effects. "Foreign Correspondent" deserves to be mentioned alongside "The 39 Steps" and "North by Northwest" as one of the master’s greatest adventures. 120 minutes, Not Rated.



July 28: Rome, Open City

  This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Though told with more melodramatic flair than the other films that would form this trilogy and starring some well-known actors—Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as the fiancée of a resistance member—Rome Open City (Roma città aperta) is a shockingly authentic experience, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake. 100 minutes, Not Rated.

Make a reservation: ROME, OPEN CITY

August 4: A Hard Day's Night

Few films rival the sheer exhilaration and joy you feel when watching "A Hard Day's Night."  The Beatles, having conquered the pop charts, were approached with the idea of a film, and lucky for us, they took to the camera with as much bravado, confidence, and fun as they did to their instruments.  "A Hard Day's Night" was the film that set up the Beatle identities we all know by heart – John, the quick-witted one, Paul, the cute one, George, the quiet one, Ringo… well, no one else could be Ringo!  The film, which chronicles 24 hours in the life of the pop group, is full of great songs, from the title tune, to "Can't Buy Me Love," "She Loves You," "I Should Have Known Better," and many more.  Starring the Fab Four, and Wilfrid Brambell, who, as Paul's fictional grandfather (such a clean old man), gets his share of great laughs in the film, too.  87 minutes, Rated G.

Read Roger Ebert's essay on "A Hard Day's Night" as one of the Great Movies.

Visit the official Beatles website!

"To watch the final concert segment is to look back decades and realize, as you do seeing vintage footage of Duke Ellington or Frank Sinatra or John Coltrane, that it's never really gotten any better." – Terry Lawson, Detroit Free Press

Make a reservation, yeah yeah yeah! A HARD DAY'S NIGHT