KPAC Blog

The KPAC Blog features classical music news and analysis.  From a detailed look at Wagner's masterpiece "Parsifal," to an inside look at the Latin Grammys, the KPAC Blog features writings about some of the music played on air as well as other interviews and essays about classical music.

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

Justin Cole Photography

An Austin-based orchestra and chorus manage to get to San Antonio two or three times a year for a performance. TPR’s Arts and Culture Reporter Jack Morgan spoke to its Artistic Director.

It’s the Austin Baroque Orchestra and Chorus, and he’s Billy Traylor. What he’s bringing Sunday is a big show.

“There are 16 singers.  And the orchestra has about twenty.”

And there’s something else that sets this group apart.

The Juilliard String Quartet was established in 1946 as an all-purpose quartet that would embrace music from every era. Its founders' intent was to "play new works as if they were established masterpieces and established masterpieces as if they were new."

After Thaw, Minnesota Orchestra Returns To Cuba

May 17, 2015

The Minnesota Orchestra plays Havana this weekend. It's the first professional U.S. orchestra to perform in Cuba since the United States and the island nation began the process of normalization last December. For the musicians, this trip is about healing — both diplomatically and for themselves.

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