The KPAC Blog features classical music news and analysis. From a detailed look at Wagner's masterpiece"Parsifal," to an inside look at the Latin Grammys, the KPAC Blog features writings about some of the music played on air as well as other interviews and essays about classical music.
This week's San Antonio Symphony broadcast features quintessentially American music by Aaron Copland, as well as the American influence on the French composer Maurice Ravel. Mozart's final symphony rounds out the program.
Aaron Copland's "Rodeo" helped put the composer on the map; its rustic rhythms were a hit in 1942, and later held up as the epitome of Americana when used in a popular ad campaign, "Beef: It's What's For Dinner."
Originally published on Wed August 21, 2013 11:16 am
At the opening of Anna Netrebko's new album, Verdi, we find her in the role of Lady Macbeth, reading a letter confirming the fulfillment of a prophecy made by Shakespeare's (and Verdi's) infamous witches.
This weekend kicks off the first of two concerts for the Olmos Ensemble. Led by oboist Mark Ackerman, the nineteen year old chamber group, will feature "Sizzlin' Latin American/Spanish Music" this Sunday at the First Unitarian Universalist Church in San Antonio.
Originally published on Tue August 13, 2013 4:32 pm
In 2007, I was interviewed by a journalist over lunch a day before the premiere of my Violin Concerto. One of his first questions was, "So why do you write in these old forms, the symphony, the concerto ... ?" I told him that these were simply titles which imply nothing about the form, which was another thing entirely. But it led me to ask myself: What is a symphony these days? If it no longer comprises a four-movement structure with an energetic first movement, a slow movement, a scherzo, and some kind of quick rondo, then what exactly characterizes it?